Second Wind

    “Never seemed to work out the way I had it planned
    My setlists section has finally been updated. I kept putting off working on it just because I’d had such a miserable time at Alpine Valley. Things did not work out at all, the weather was not there, I was unable to smuggle my audio gear in, and I couldn’t even see the show since the video screens went dead. Amazingly, depressingly, for the first time in fourteen years I do not have a new audio excerpt to offer. …Which of course can only mean one thing… Another road trip and a chance to try again! So plans are already afoot for a road trip to Chicago in September.
    We’ll have to wait and see what kind of cluster that turns into.
    Meet the new setlist, same as the old setlist, some might say. To quote the Marilyn Monroe title that’s been showing up lately, it seems something’s gotta give…
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U2 Live! (Again)

    I’m nearing the end of my month-long U2 road trip. I hope to upload lots of cool stuff to my [now defunct] U2 page, but I can’t resist making this available. Last night, at the Air Canada Centre in Toronto ON, the band brushed the dust off an old chestnut, bringing back a song off their first album.
n    It still sounds great, and they sound great.
U2 – Out of Control   (8.1 MBs)
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My First Poll

    This was quite the bizarre week. Last week I got home from my two-day U2 road trip, and the next day I launched into a new work shift. I’m fillng in for my coworker, who works the morning shift. I like getting out in the middle of the day, but it’s tough getting up early when you’re not used to it. Plus, traffic is atrocious in the mornings.
    Anyway, I’m on the eve of another U2 road trip, this time to Chicago. I’ve also added something new to the homepage: a survey, just for the heck of it. My apologies for the ads, but it beats trying to learn CGI!
    The archived poll:
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The Egregious Sound Blaster

    I do a lot of audio work. Many sections of this site offer audio files. So when I wanted to upgrade my sound card, to one that could handle digital audio, I assumed my best bet would be to go with Creative. Ever since I first started getting into computers (back in ’94, I think) I’ve always seen reference to “Sound Blaster compatible”. So if Sound Blaster is the standard, why not finally get one for my own? It seemed simple enough…but then again most mistakes are simple ones.
    I aimed high and chose the Sound Blaster Live Platinum 5.1. I learned too late that I was buying more than a sound card; it also contains an interface called Live Drive IR, which fits in a 5.25″ bay. Unfortunately, I didn’t have an open bay (having recently installed an internal CDR drive) — so I bought the card only to find out I could not use it. All the digital and MIDI inputs Creative advertises are available only on this interface; the card itself just has outputs for speakers.
    Eventually I talked myself into finally utilizing the sound card. I made room by removing my DVD-ROM drive temporarily. Installation was fairly easy, but the Sound Blaster comes with a lot of seemingly useless and bloated software. For my dual-boot system, I installed all of it under Windows 2000 but only necessary files under Windows 98 (this was not by design as much as for space reasons). The Sound Blaster’s performance under Windows 2000 was very poor. The first few times I booted up there was a noticeable whine or loud hiss until Windows loaded. I was also unable to fully use the sound card; the Live Drive IR appeared as if dead. I could not input any audio through it, digital or analog. I almost thought it was dead, except for the fact I could get the headphone output to work. I have since discovered that other Windows 2000 users are very upset with Creative for their shoddy support of the card. Of course it would’ve been nice to know this three weeks ago, but at least I can console myself that I do not suffer alone. Updated drivers for the sound card are available at Creative’s web site, but I can join my fellow users in saying these drivers do not help and in fact can aid in crashing the OS.
    Admittedly, Windows 2000 is not designed to be a multimedia operating system, so one might expect the Sound Blaster’s performance to improve under Windows 98. There was no difference. My Live Drive IR was just as dead as before. So, after two weeks’ usage, I uninstalled the sound card this morning. I’m not even crazy about Sound Blaster’s uninstall program, since it left a lot of junk behind (in Windows 98). So now I’m back to my original Turtle Beach Montego card. It doesn’t sound all that great either (especially under Windows 2000), but at least it doesn’t crash my system.

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The Rio Volt

    It was planned that a guest columnist was going handle review duties for the Rio Volt hybrid CD/MP3 player, but in the meantime I bought one myself. The Volt is a clone of the iRiver iMP-100, but is more prevalent. For me, it is a definite step up from the Pine (previously discussed here and here). The construction is much more solid; the player can be handled on the edges without jarring the disc within, for instance. The Rio can also handle Microsoft’s WMA files, which the Pine doesn’t (but since I deal only with MP3s this falls beyond the scope of my review). Another benefit is that the Rio’s LCD window is backlit. However, having said that, I have to acknowledge that the Pine’s LCD window is still more readable. The font size on the Rio is too large, so that every track title has to scroll to be made out. There is also a lot of wasted real estate in the Rio’s LCD window: lines which could be used for additional MP3 tag information are used instead for silly decorative animations of dancing figures. This is probably the only aspect where the Pine might be better. In all other regards, the Rio beats it hands down.
    One great benefit to the Rio is that it is firmware upgradable. This should be a boon even as other second or third generation players are released. I believe the Pine, out of the box (or, literally, out of the blister-pack), comes with a firmware version of 1.08f. The Rio site (riohome.com) already offers version 1.13f. Upgrades are easily performed by using a CDR-W disc. A few of these features — like Resume, a function that remembers where on the disc you last stopped listening — are recommended and are only available through these do-it-yourself upgrades. The Rio also has a shuffle play mode for MP3s; something I (ahem) “pined” for below. Another great feature is the “NAVI” button which allows the listener to toggle between the full list of albums (or folders) on a disc or the list of tracks within an album (or folder). This is a wondrous improvement over using the Pine’s pause button to advance ten tracks at a time. Now, with the Volt, a few clicks can get me right to the first track of any of my albums.
    Another feature of the player is that it plays files from memory, loading a song and letting the disc wind down. This helps keep songs from skipping as well as conserving battery power. However, it can be an irritation since the player requires that much more time to spin back up to advance to another track. It would be nice if this could be deactivated (for when not using batteries) in a subsequent upgrade.
    In short, I am quite pleased with the Rio Volt MP3 CD player. It looks good, sounds good, performs well. The package comes with earbuds, a remote control (intended for people with smaller thumbs than mine), and a carry case. It also includes a CD of Real and Adaptec software and a blank CDR. Online prices range between $140 – 220. It is highly recommended.
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Government Honey Live!

    In honor of Brian Auquier’s first Communion today, I’m uploading a song performed by Government Honey, his uncle Jim’s band. It was recorded last night at Lower Town Grill, in Plymouth MI. Government Honey has a wide selection of current and older hits, plus some original songs, but I can’t help showing my age and picking one of the older ones. Here’s their version of an old Soft Cell hit, which they’ve rocked up a bit.
Government Honey – Tainted Love   (4.6 MBs)
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Lenten Fast Food Fish Sandwich Roundup

    I based the following review on unscientific research during the last week of Lent. As usual in these matters, I limited the test to McDonald’s, Arby’s, Wendy’s, and Burger King. Since there isn’t that great a difference in fast food fish sandwiches, there’s no real need for a regimented grading system. Capsule reviews should suffice.
    Wendy’s Fish Fillet: a round filet with crumbly breading. A large leaf of lettuce. Fish has decent flavor but breading turns kind of pasty.
    Burger King Big Fish: square filet, sesame seed bun, shredded lettuce. The lettuce makes this a dangerous car food. Fish has a kind of “darker” flavor. Mayonnaise is used instead of tartar sauce, eventually creating a rather tasteless mush.
    Arby’s: I’m not even sure what their fish sandwich is called since the Arby’s I visited did not list the sandwich on their menu. The sandwich deserves better. A thick, triangular, flaky filet, on a sesame seed bun. Special credit for an appealing touch of lemon flavor. Again, the shredded lettuce makes this a tricky car food. Recommended.
    McDonald’s Filet o’Fish: an old favorite. Probably the winner, beating Arby’s but only for sentimental reasons. Square, flaky fish filet with nice light tartar sauce. Two slices of cheese instead of lettuce.

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Oscars 2001

    For the purposes of an April Fools joke, let’s pretend this is not an update. I am still desperately fixated on creating a navigation menu bar for the site. I was barely able to effect this before and have come a bit closer now, I think. At least this one can be viewed in both IE and Netscape.
    This previous week was so long it seems like a month since the last update (which is in fact true of my Jimmy Buffett page). Last time, I was talking about the Oscars. I very much enjoyed Steve Martin’s hosting, and I thought the show was pretty satisfactory. I liked how the wealth was spread fairly well: I’m glad Steven Soderberg won (since being nominated twice in the same year would seem enough to make him the Best Director), but I still don’t see why Gladiator was deemed Best Picture. But then again 2000 didn’t seem like that great a year in movies anyway.
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Pimped

    “Pay phones all were ringing as the crowd went roaring by
n    “A Year Without Jimmy Buffett”. It sounds like it should be a Rankin/Bass holiday special. But it appears that, yes, we’re actually not going to see Jimmy Buffett in Michigan this year. I thought it was bad in 1998 when the Carnival tour by-passed us, but at least we were able to see Jimmy in the Winter. This year he’s completely shafting us. It’s a horrible way to start off the Millennium. Years ago he used to play multiple dates here in Michigan; nowadays he can’t make it at all.
    Could this site be to blame? Am I scaring Jimmy off by making audio clips available of his local shows? I can’t help but feel slightly guilty and chagrined by the whole thing, but I mean — they’re only one or two songs per concert! Come on!
    I have a stronger suspicion he was turned away by the recent name change of our local music amphitheater, from Pine Knob to DTE Energy Music Theater. That would take away anyone’s enthusiasm to perform.
    Regardless, the only alternative — since going without Buffett is inconceivable — is to road trip. I was on the Ticketmaster site about an hour and a half this morning, culminating in the purchase of some measly lawn tickets for Alpine Valley in Wisconsin. But, at least we can get in. Now the only problem is how to get there. It’s a long haul, but at least it’s on a weekend. The worst part about it is I’m also planning on going to see five U2 shows that same month! (U2, bless them, sells tickets through its fan club!) So I can honestly say May is going to be a madhouse.
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Jekyll & Hyde Live!

    1999 was a pretty good year for theater in Detroit. Along with the usual and inexorable return of Cats and Les Miz, we were treated to the local premieres of at least three award-winning Broadway productions. One of which was Frank Wildhorn’s Jekyll & Hyde, which played at the Fisher Theater.
    Here are two excerpts from this production, recorded Tuesday, May 4 1999, and starring Chuck Wagner, Sharon Brown, and Andrea Rivette.
Chuck Wagner – This is the Moment   (5.6 MBs)
Sharon Brown & Andrea Rivette – In His Eyes   (5.8 MBs)
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